Music: Amos Lee

Music: Amos Lee
With Opener: Mikaela Davis

“There’s a lot of existential stuff in these songs,” says Amos Lee. “If you really listen to what’s in between the lines, there’s a lot of grappling with your place in the world, grappling with loss. There’s a lot of grappling with the balance between bailing out the boat and rowing at the same time—the experience of writing music and playing songs while trying, as we all are right now, to make sense of a world that feels like it’s changing really quickly.” 

On his eleventh studio album, Transmissions, singer-songwriter Lee continues to expand his sonic range while sharpening his closely observed lyrics that squarely address death, aging, and love. The force behind such acclaimed albums as Mission Bell and Mountains of Sorrow, Rivers of Song, ever since his gold-selling 2005 debut Lee has been known for his association with a long list of collaborators and touring partners, from Paul Simon to Zac Brown Band.

For the new project, he craved a return to an old-school style of recording, working with his longtime band in a studio in rural Marlboro, New York that was built by drummer Lee Falco and his dad out of reclaimed wood from an old church (“it’s exactly what you’d think a studio in upstate New York should be,” notes Lee). Playing live on the floor for long hours, in close quarters, they were able to capture the album’s twelve songs in less than a week.

“I really wanted us to be all in the room, making music together, listening to each other and responding to each other,” says Lee. “In this age where you can do everything at home and fly it in, there’s something really beautiful about getting in a room and starting at the top, the drummer counting in the song and everybody just playing. I would call it vulnerability.”

Transmissions marks only the second time that Lee has produced his own album (following 2016’s Spirit), a daunting challenge even for someone so familiar with the musicians. But he was determined not to overthink or over-complicate the task.

“As a producer, I had to have a clean and clear vision of what I wanted before I went in,” he says. “Especially now that I’ve done ten albums. I’m not lighting a bunch of candles and trying to conjure the spirit—it’s either there or it isn’t. And it was there from Day One. We were playing the song ‘Beautiful Day,’ and I thought, ‘Okay, here’s a song I have a demo for, but I don’t have a full version in mind. I’ve never played it with anyone, I’ve never shown it to anybody, and it’s a bit of a weird, herky-jerky tune.’ And the bass and drums kicked ***, the guitar playing is really cool—so yeah, I felt it from note one. I was never in doubt.”

Transmissions is Lee’s first release of original music on his own label, Hoagiemouth Records. “It’s just a sign of the times,” he says. “Things have really changed for someone like me, and I’m going to adapt. I always wanted to have some kind of small label, so it’s a cool opportunity.” (The imprint is distributed through the Thirty Tigers company, which Lee is especially excited about since he and president David Macias are friends through fantasy baseball.)

Fresh off of some dates with Willie Nelson and heading into a co-headlining tour with the Indigo Girls, Amos Lee notes that his attitude about being embraced by his peers and his idols has transformed over the years, and that his gratitude deeply informs the emotions throughout Transmissions.

“I just appreciate everything a lot more now,” he says. “When you’re younger, you get it, but you don’t really get it because you’re like ‘Oh, cool—my first tour ever and I’m opening for Bob Dylan? Cool.’ Or Norah Jones, the biggest artist in the world, bringing you out right off the street. How do you appreciate that? I was just sort of clueless, honestly. Not out of malice, but you have no context.

“So now I’m just grateful to have a career,” he continues. “I’m grateful to be asked to share the stage with folks who I respect and admire and love and want to learn from and want to support. Now it’s about really being present while it’s happening and knowing that this is not promised, none of this is destiny. It’s a lot of chance. So I’m making sure to really enjoy and appreciate all these opportunities.”

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