Tennessee Williams Festival
Saturday, August 17, 2024 at 01:00pm
Tennessee Williams Festival
Various Venue in Saint Louis
9TH ANNUAL TENNESSEE WILLIAMS FESTIVAL ST. LOUIS
Schedule:
7:00 pm: CAT ON A HOT TIN ROOF
Directed by Michael Wilson
Grandel Theatre, Grand Center (3610 Grandel Square, St. Louis, MO 63103)
A gut-wrenching display of toxic familial tensions and ladened southern gothic power structures, this piece will serve as the centerpiece of our jaw-dropping 9th Annual Festival. This Pulitzer Prize winning drama follows the story of the Pollitts, a wealthy southern family whose history of greed and deception looms overhead as the imminent death of the family’s patriarch approaches. Siblings and spouses go head to head to secure the Pollitt fortune, weaving an overwhelming web of mistruths.
Tickets on sale now!
LIFE UPON THE WICKED STAGE A COLLECTION OF ONE-ACTS BY TENNESSEE WILLIAMS
Directed by Brian Hohlfield
Curtain Call Lounge, Grand Center
Time: 1:00pm and 4:00pm Saturday and Sunday
Almost 100 years ago, what we now call Grand Center in St. Louis was the place to go for entertainment. Vaudeville was struggling but still popular, double-features (with live acts in between) played all day at the Fox and Missouri theaters, music poured from dance halls and clubs, and the hotels were packed with the touring casts of last year’s Broadway’s hits.
Young Tom Williams soaked it all up.
In celebration of the history and the continuing charm of Grand Center, the Tennessee Williams Festival of St. Louis will present “Life Upon the Wicked Stage,” a program of three one-act plays with music, at the Curtain Call Lounge at the Fox, just steps from the bustling streets and locations where much of the action takes place.
Like the rest of the theatre-going public, Tom was intrigued by what went on backstage, a world he would soon become familiar with, and imagined what the lives of the nomadic show-folk must be like. He brings them to life with affection and bemusement in the one-acts “In Our Profession,” “The Magic Tower,” and “The Fat Man’s Wife,” all set in the 1930s and portraying the ups and downs of a career in show-biz. In these early plays, Williams, still finding his voice, is clearly influenced by the plots and styles of the movies he would have seen on this very street, bringing the experience full circle.
The theatrical but intimate setting of the Curtain Call is perfect for a program about show-biz.
Like a “mini-jukebox musical,” “Life Upon the Wicked Stage” features songs from the period to evoke the era of Vaudeville and the type of entertainment Tom would have encountered in his Grand Avenue outings long long ago..
